I chose to draw each clay object created for the unfeasible objects experiments. Why? The photographs don’t seem to do justice to the significance of the object, its purpose and the process its undergone. Both with my self and the participant. They say drawing itself is a form of embodiment.
Certainly, the process allows me to feel a strong connection with the artefacts. Drawing through a lens also has the effect of making one’s hand feel strangely smaller afterwards.