Drawing the unfeasible objects

I chose to draw each clay object created for the unfeasible objects experiments. Why? The photographs don’t seem to do justice to the significance of the object, its purpose and the process its undergone. Both with my self and the participant. They say drawing itself is a form of embodiment.

“In the gesture of a drawing, there abides the question of how human beings hold memory. A trace of the body, the projection of an emotion, a record of the experience of seeing are woven into the gestured mark, a kinetically vitalized inscription that can serve as a site of empathy and invitation as much as a line of mimetic description” Marking Time, Figuring Space: Gesture and the Embodied Moment. 

The process of drawing these objects given me a stronger connection with the artefacts created.  Drawing through a lens also has the effect of making one’s hand feel strangely smaller afterwards.


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.